The 4 March media. A whole event, with some familiar faces, editors, journalists and guests, although you can't identify them all. A successful opening in which I could show my works in their spaces respectively with Blanca Hevia and Fran Cassinello, a luxury. In addition the privilege of personally meeting large interior players such as Sara Folch, Meritxell and Josep of Thohom- studio, Ana Milena and Christophe de Masquespace, among others, as well as seeing again so many professionals to share the Casadecor2020 experience.
My work:
One mural trampantojo in the header of a bed in the space called "Moons of Bioko" for Mia Petra projected by White Hevia.
Other mural This time on a bathtub in the "La Chambrè Enchantress" suite of Mandalay interior.
Both painted on canvas so that then, once the Casadecor edition is finished, they will be recovered and framed as paintings. This year they want to emphasize a sustainable Casadecor so These paintings are perfectly reused to be mounted on a frame, to make a bible or perhaps to stick them back on another wall.
My impression is that this edition features surprisesAt least for me, you have to remember that I am not an interior artist, I am an artistic painter and a muralist, but I have found originality in many ways. Decorative ideas, domestics, materials... really fascinating.
And speaking of fascinating things, I have been surprised by the number of people who know my work, follow my steps, and how the general public is surprised with my mural and values them effusively. Many think it's a fresco, others it's a paper, in any case they love it. They are curious, they come to see the detail and check it out, they touch it, which I invite you to do to check the texture and the brushes, so they realize it has nothing to do with a paper. With the amount of varnishes they carry, they can be retouched, and they can be cleaned with a cloth. They tell me to get into the landscape and relax them. It's just what I'm looking for. Beauty, peace, balance besides giving depth to space and That that message comes is what I want, I think I get it, obviously there will be someone who doesn't, but they generally like and value each other.
There are many hours of work, since the idea is generated, the sketch is painted and moved to a canvas or wall. And the thing isn't there, once it's painted it gets old, it gets unpainted, that is, with a series of cracking techniques, veils, sanding... a final effect that makes the work a texture as painted years ago.
What we're gonna do to her I like to get complicated, looking for my paintings to have that effect that makes them different.
I hope you like it and thank you for reading me.
